![]() ![]() The writing is witty and original, and the plot is unpredictable Billie is a complex and likable character, but the other three women, while easy to root for, tend to blend together. ![]() Juxtaposing the two timelines creates an interesting dichotomy that examines the nuances of the female aging process from a unique angle. The story jumps back and forth between the late 1970s and early '80s, when the women were first recruited, to the present day, when the female assassins have all lived long, full lives and worry about menopause and lost spouses more than whom they might kill next. ![]() They're forced to flee while simultaneously solving the mystery of why their employers have put targets on their backs. It turns out that she and her colleagues have uncovered a plot to end their own lives. Several hours into the trip, though, Billie discovers another of the Museum's assassins onboard the ship. Now they're in their mid-60s, and the Museum-as its denizens call the elite group-has sent them on an all-expenses-paid cruise to celebrate their retirement. Since they were recruited in their 20s, Billie, Mary Alice, Helen, and Natalie have been working as secret assassins for a clandestine international organization originally created to hunt Nazis. ![]() Four female assassins on the brink of retirement are brought back into the game by a surprising assassination attempt-on them. ![]()
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